B MOVIE
A TRILOGY IN FOUR PARTS.
USURY HELL´S FUEL MANS OPPRESSOR
GLOBALISATION UN ENTANGLED.
the idea before it was clothed in words
heard in minds, as uttered thought
the communication of arranged ideas
Thoughts lifting mist from the poet´s page.
To set the stage, not in the round
but, to see the scene in the sphere
Which actors will the playwright lay
on the page´s narrative to steer.
Which course to meet
who to set upon the bridge
For strength of Bulls Wall Street
of Bears & onion domes upon our chart
A heroes pride found in Britannia’s isles
Monks ´´sans humilite´´ fane ease
Like Pope we find our actors
´´All, all alike, find reason on their side´´
mais par impatience de souffrir
On the present discontents, Burke opined
Putin ,Trump and Farage set courses un-entangled
Junker , Merkel, Call for straight ahead.
Few are the partisans of departed tyranny
of Globalism or Nationalism which be the tyrant?
Yet passions are deceiving someone,
so near 50 years behindhand a hero fell.
“On this day, the day of March
in my opinion´´, is the end of the
United States of America
as the land of the free
and the home of the brave.”
Eliza with Rogerian inscrutability
hears the confession of the mal-contents
A mirror held up before cosmetic application
Globalisation and Internationalism confused
despotism´s nature is to abhor any say
save that of its own momentary pleasure;
it annihilates all intermediate situations
between boundless strength on its own part,
and total debility on the part of the people.
Our education can be Our? our, government.
Our reason can be our Judge, of the rivals;
Globalism, Authority, coercion and competition.
or Nationalism, Internationalism, Cooperation.
Are we to have free will and democracy
Will we have determined authority
A struggle of ideals an ancient quarrel
Parmenides or Heraclitus navigators both
If centuries be epochs with peculiar discretion
19th, 20th, 21st a behind hand review
19th innate goodness of man, nationalism
20th Fallen man Calvinist rule, Globalism.
For the 21st partisans for patronage
WRITING A NEW NARRATIVE – #SOLUTIONSWATCH
Boijmans TV episode 4. Genuinely fake. from Museum Boijmans Van Beuningen on Vimeo.
A Semiotic Turn Wenzels genuinely fake.
A language of abstract form commemorates brotherhood.
Van Meegrans supper at Emmaus implies Vermeer’s intention for experts to divine. A counterfeit of that which never had been, claimed as real and must be from the brush of the master. A looting tyranny coveting the genuine fakery like so much gold pulled from the mouths of corpses. Like so many rabbits out of so many hats and the goldfish does not know the water it swims in until the surface is broken.
The beauty of dying lilies, the artist petrifies the fleeting moment and time is solidified.A promise solidified in time measured in life and non existence. Celebrate Les miserables of L’Argent . Hugo, Zola and Proudhon scream.
A promise wrapped up in a lie claiming existence where no air remains to breathe or, food to sustain. Asking everything for giving nothing. A mountebank by nature, a swindle made official by the state. To enslave the masses and keep them in want.
Boijmans TV episode 4. Genuinely fake. from Museum Boijmans Van Beuningen on Vimeo.
ANNE WENZEL
Fake Rolex Says Fake More interested?
Magicians Club Rotterdam Or Association Name of the club?
Faded Beauty of rotting tulips
Paulime Oltheten Two Mortor Bikes called Nice if two pairs of legswalk in sync for a moment
Was it a trick or was it real or is it unknown. ?
Magician pulls eggs from behind the ears of the children ( Inceredulity)??
It pretends to be a monument as if something is being commemorated
No clue to what is being commemorated its really justy Hot air
Is remmebering also hot air?
Rememberance day is different for Anne Wenzel in Holland because she is German and not Dutch
I examined the langauge of forms
This is a heroic monument that has been imposed from above
The question is how you relate to it
I wanrt to ask the visitors to the museum;
How do you relate to this monument?
It is clearly a structure that has been imposed from above
But can I be a part of this remembering?
The Supper at emmaus
Supoposed to be a vermeer forgery by Van Meegeren composed to fool art historians as a missing link.A transitional work in his known cataougue Van Meegren workewd out what would fill the gap in his outputand then made a painting that would fit within the chronology of orthodox art history.
Not only did he forge materials so that scientific analysis could not at the time detect the age of the painting as a forgery what makes it genius is that the duplicate could not be discovered it had never existed as a vermeer but becomes a vermeer in the minds of the historians as it fits into the historic narrative reinforcing their own analysis of what vermmer could have done.
Anna Wenzel,
Is a monument important.
I don´t know Ido know it has an important channeling function
I am very immpressed by them , many of the russian monuments are really grand and that’s fantastic
but I know how they are made so that is what is
