#Narr8ive, Narrative, Getting the Story Straight #Str8 .

Skene behind the stage of the Roman-era (1st century) South Theatre, Jerash, Jordan.

protagonist (n.)
1670s, “principal character in a story, drama, etc.,” from Greek prōtagōnistēs “actor who plays the chief or first part,” from prōtos “first” (from PIE root *per- (1) “forward,” hence “in front of, first, chief”) + agōnistēs “actor, competitor,” from agōn “contest” (from PIE root *ag- “to drive, draw out or forth, move”).

The general meaning “leading person in any cause or contest” is from 1889. The mistaken sense of “advocate, supporter” (1935) is from misunderstanding of Greek prōt- as Latin pro- “for.” Compare antagonist. Deuteragonist “second person or actor in a drama” is attested from 1840.


In literature, the deuteragonist (/ˌdjuːtəˈræɡənɪst/ DEW-tə-RAG-ə-nist; from Ancient Greek δευτεραγωνιστής (deuteragōnistḗs) ‘second actor’) or secondary main character[1] is the second most important character of a narrative, after the protagonist and before the tritagonist.[2] The deuteragonist often acts as a constant companion to the protagonist or someone who continues actively aiding a protagonist.[3] The deuteragonist may switch between supporting and opposing the protagonist, depending on their own conflict or plot.[4]


The part of the tritagonist emerged from earlier forms of two-actor drama. Where two actors only allowed for a principal character and their adversary, moving the part of adversary to a third actor (the tritagonist) allowed for the second actor (the deuteragonist) to play roles as a confidant or aide to the principal character, and thereby elicit greater character depth from the principal character by having the protagonist explain their feelings and motivations to an on-stage listener.[1]: 451  As Ancient Greek theater recitations were partly melodic, the role of the tritagonist would typically go to a performer with a voice in the bass range (as compared to the protagonist as tenor and the deuteragonist as baritone).[2]: 172  Cicero, in his Divinatio in Caecilium, reported that the tritagonist (being a role of lesser importance than the protagonist) would often have to subdue his voice if he was naturally stronger than the protagonist.[3]

Notable Ancient Greek actors who worked in this role include the orator Aeschines, who was held by Demosthenes to have been untalented as a tritagonist,[2]: 175  and Myniscus, who was tritagonist under the playwright Aeschylus.[2]: 195 

In some forms of Greek theater, it was traditional for the tritagonist to enter the stage from the left.[1]: 404 


Today the terms “left wing” and “right wing” are used as symbolic labels for liberals and conservatives, but they were originally coined in reference to the physical seating arrangements of politicians during the French Revolution.

The split dates to the summer of 1789, when members of the French National Assembly met to begin drafting a constitution. The delegates were deeply divided over the issue of how much authority King Louis XVI should have, and as the debate raged, the two main factions each staked out territory in the assembly hall. The anti-royalist revolutionaries seated themselves to the presiding officer’s left, while the more conservative, aristocratic supporters of the monarchy gathered to the right.

“I tried to sit in different parts of the hall and not to adopt any marked spot, so as to remain more the master of my opinion,” one right-wing baron wrote, “but I was compelled absolutely to abandon the left or else be condemned always to vote alone and thus be subjected to jeers from the galleries.”

Olof Palme: "Why I am a Democratic socialist" (english subtitles) What is Conservative? #Corbyn4PM conservative values for the NHS, and a safety net that all are free to rise above but none to fall through!



Is Left and Right or Rich and Poor the real political Divide?#JeSuisBourgoiseBlancHomme #ConquestofDough

"TINA" and the Left Right Thing. ‘COWBOY WIRING’ no Polarity.


The New World Order Paradigm Shift. #GrubStreetJournal #HypatiasEyebrowser #ConquestofDough The End of Debt or the End of Democracy?

THE THEORY AND PRACTICE OF OLIGARCHICAL COLLECTIVISM by Emmanuel Goldstein. “Translators – are false horses of enlightenment” #Covid1984

Authoritarian Populism, Social Democracy, Democratic Socialism and Anti Semitism. Baron Lord Glassman. Brexit Smexit! #Brexit #Brino #Lexit. FARAGE, BOJO, TRUMP, ALEX JONES AND RON PAUL WALK INTO A BAR?

Conquest of Dough, Some Graphics informing contexts for Brotherhood in common ancestry

Trident, The Nuclear codes and Skin in the Game.

Hitler, False Prophet of Monetary Reform.

Money Matters, Bill Kruse on Economania.

Trident, The Nuclear codes and Skin in the Game.

The Great Money Trick. Paying for promises,

Addiction to Likes and views and belief in such “Social Points ” metrics is a huge weakness in an age of EGO

The Pen is mightier than the Sword.The Oligarchical temper would seem to consist in a love of authority, covetous, not of gain, but of power. Love conquers all.

Towards an Integral Analysis of World Views in the Oligarchy. Part 1. ( Left and Right , Rich and Poor )



Author: rogerglewis

https://about.me/rogerlewis Looking for a Job either in Sweden or UK. Freelance, startups, will turń my hand to anything.

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