
THE 2023 KING CHARLES III CORONATION GOLD SOVEREIGN
£899.00
“He held up a one pound coin. “This piece of brass,” he said in a voice eerily reminiscent of Marlon Brando’s Don Corleone, “is one of your pounds. The famous pound. The backbone of your great empire.”
Then, in his other hand he held up another coin, a gold sovereign. “A hundred years ago this was your pound 7.32 grammes of pure gold.”
Gesturing with the brass, he said: “It took me 235 of these,” – he motioned with the sovereign – “to buy one of these”.
In other words, the purchasing power of the pound has fallen by 235 times in a hundred years.”
The actual origin of the printed phrase dates back to the 17th century Scottish Parliamentarian, Andrew Fletcher:
William Pitt made this statement:
“Let the American people go into their debt-funding schemes and banking systems, and from that hour their boasted independence will be a mere phantom.” He realized the maxim that Rothschilds laid down as fundamental: “Let us control the money of a country and we care not who makes its laws.”
“I said I knew a very wise man so much of Sir Christopher’s sentiment, that he believed if a man were permitted to make all the ballads he need not care who should make the laws of a nation, and we find that most of the ancient legislators thought that they could not well reform the manners of any city without the help of a lyric, and sometimes of a dramatic poet”.
— An ACCOUNT of A CONVERSATION concerning A RIGHT REGULATION of GOVERNMENTS For the common Good of Mankind: In A LETTER to the Marquiss of Montrose , the Earls of Rothes, Roxburg and Haddington, From London the first of December, 1703′.
Now, of whom is Fletcher speaking? Who is the “very wise man”? It is, of course, Sir Phillip Sydney (1554-1586), the English poet who came to completely dominate the court of Queen Elizabeth even though he was only in his 20s. Sydney is the one who originated the phrase “Let me make the ballads of a nation, and I care not who makes its laws.”

1544-47
“Old Copper Nose”
— Real-Estate Land Development Limited (@RealEstateLand3) May 5, 2023
How close we are to the denouement. Lord of the Dance or Follow Davos Man.
“Today, the new Tower of Babel is the EU and all of its related Davos globalism. It is saturating the globe on all continents. It pretends to make the world a better place. It does no such thing.
This is the prevailing ideology of global elites and the institutions and machinery they deploy to make themselves gods—to maintain control over humanity.
Setting aside all tradition, all past custom, often rewriting history, and most notably, eradicating the nation-state and religions, these globalists and the crony capitalists and socialists who fund them and all their doings, seek one thing: the power to control.
Zbigniew Brzeziski, a Davosian if ever there was one, former national security advisor to President Carter, put it in his own book, Between Two Ages”,
America’s Role in the Technotronic Era:
“The technetronic era involves the gradual appearance of a more controlled society. Such a society would be dominated by an elite, unrestrained by traditional values. Soon it will be possible to assert almost continuous surveillance over every citizen and maintain up-to-date complete files containing even the most personal information about the citizen.”
Klaus Schwab’s Tower of Babel
The European Union and Davos-style globalism is saturating the globe on all continents. It pretends to make the world a better place. It does no such thing.
By Theodore Roosevelt Malloch, AM GREATNESS / March 13, 2022
A Paradigm Shift sized Context. The Assassination of Democracy. Beware the Ides of March.
— Real-Estate Land Development Limited (@RealEstateLand3) May 5, 2023
I was always more into eventing than polo. Been to Gatcombe several times.https://t.co/4kJqSTMQxT
— Real-Estate Land Development Limited (@RealEstateLand3) May 5, 2023
IMO this is very important to understand. A large part of this economy and credit market is structured around 0-3% overnight rates. And as soon as we jammed rates to 5% those parts of the economy became unstable. https://t.co/k3zobpKy1e
— Cullen Roche (@cullenroche) May 4, 2023
— Real-Estate Land Development Limited (@RealEstateLand3) May 5, 2023
— Real-Estate Land Development Limited (@RealEstateLand3) May 5, 2023
Banks do not use deposits to make loans , their liquidity is related to tier 1 reserves which is mainly treausuries. (Govt bonds)
Economic confidence and wage levels drive the demand for mortgages , cost of living measures are much more important.https://t.co/97mlWALdgg— Real-Estate Land Development Limited (@RealEstateLand3) May 5, 2023
— Real-Estate Land Development Limited (@RealEstateLand3) May 5, 2023
https://t.co/QKy2Agz3kU@scientificecon
— Real-Estate Land Development Limited (@RealEstateLand3) May 5, 2023
https://t.co/ta0VkFffBx the Fed level of reserve rate effects BOE rate, rate effect confidence but also confidence and future expectations of borrowers the "Brew" of variables is unsually toxic presently.
— Real-Estate Land Development Limited (@RealEstateLand3) May 5, 2023
https://t.co/HBTR1b301Q Macro and micro policy frameworks internationally, Treasury , Levelling up (Environment) and BOE (BIS) all point to transfer of assets including residential property to Large Global corporates. Behind "climateemergency" imperitives.#WaronHomeownership
— Real-Estate Land Development Limited (@RealEstateLand3) May 5, 2023

— Real-Estate Land Development Limited (@RealEstateLand3) May 5, 2023
DENOMINATION
Sovereign
DIAMETER
22.0 mm
WEIGHT
8g
METAL TYPE
Solid 22 carat gold
MINTAGE LIMITATION
1,599
QUALITY
Highest possible Proof Quality
REVERSE
Coronation Emblem which pays tribute to The King’s love of the natural world and to the four countries of the United Kingdom
OBVERSE
Portrait of the King by artist Jody Clark, designer of the fifth (and final) coinage portrait of Queen Elizabeth II
ISSUING AUTHORITY
Ascension Island
Queen Questions Financial Crisis
Thursday 13 December 2012 18:11, UK
Queen Questions Financial Crisis https://t.co/IXBGXCjpWm
— Real-Estate Land Development Limited (@RealEstateLand3) May 5, 2023
Profitless usurer, why dost thou use So great a sum of sums,
yet canst not live? For having traffic with thy self alone,
Thou of thy self thy sweet self dost deceive:
Then how when nature calls thee to be gone,
What acceptable audit canst thou leave?
- William Shakespeare, The Sonnets , IV.
Monetary sovereignty is the power of the state to exercise exclusive legal control over its currency, broadly defined, by exercise of the following powers:
- Legal tender – the exclusive authority to designate the legal tender forms of payment.[1]
- Issuance and retirement – the exclusive authority to control the issuance and retirement of the legal tender.[2]
Incidence of monetary sovereignty[edit]
Currently, nations such as the USA and Japan, which have autonomous central banks exercise monetary sovereignty. On the other hand, the European Union nations within the Eurozone, have ceded much of their monetary sovereignty to the European Central Bank.[3]
Split tally
The most prominent and best recorded use of the split tally stick or “nick-stick”[6][7] being used as a form of currency[8] was when Henry I introduced the tally stick system in medieval England in around 1100. He would accept the tally stick only for taxes, and it was a tool of the Exchequer for the collection of taxes by local sheriffs (tax farmers “farming the shire”)[citation needed] for seven centuries.
The system of tally marks of the Exchequer is described in The Dialogue Concerning the Exchequer as follows:
The manner of cutting is as follows. At the top of the tally a cut is made, the thickness of the palm of the hand, to represent a thousand pounds; then a hundred pounds by a cut the breadth of a thumb; twenty pounds, the breadth of the little finger; a single pound, the width of a swollen barleycorn; a shilling rather narrower; then a penny is marked by a single cut without removing any wood.
The cuts were made the full width of the stick so that, after splitting, the portion kept by the issuer (the stock) exactly matched the piece (the foil) given as a receipt. Each stick had to have the details of the transaction written on it, in ink, to make it a valid record.[9]
Entrance gates to the UK National Archives, Kew, from Ruskin Avenue. The notched vertical elements were inspired by medieval tally sticks.
Royal tallies (debt of the Crown) also played a role in the formation of the Bank of England at the end of the 17th century. In 1697, the bank issued £1 million worth of stock in exchange for £800,000 worth of tallies at par and £200,000 in bank notes. This new stock was said to be “engrafted”. The government promised not only to pay the Bank interest on the tallies subscribed but to redeem them over a period of years. The “engrafted” stock was then cancelled simultaneously with the redemption.[10]
The split tally of the Exchequer remained in continuous use in England until 1826, when the conditions required for activation of the Receipt of the Exchequer Act 1783 (23 Geo. 3. c. 82), the death of the last Exchequer Chamberlain, came about.[11] In 1834, following the passing of 4 Will. 4. c .15, tally sticks representing six centuries worth of financial records were ordered to be burned in two furnaces in the Houses of Parliament.[12] The resulting fire set the chimney ablaze and then spread until most of the building was destroyed.[8] This event was described by Charles Dickens in an 1855 article on administrative reform.[13]
Tally sticks feature in the design of the entrance gates to The National Archives at Kew.
The Great Debasement
Henry’s stockpiled testoons were covered in a thin layer of silver which had a tendency to wear off, particularly over the protruding nose of his portrait, revealing the copper underneath, so much so that Henry was nicknamed Old Coppernose.[4]

Are you going to go my way?
And I got to, got to know[Verse 2]
I don’t know why we always cryThis we must leave and get undone
We must engage and rearrange
And turn this planet back to one
So tell me why we got to die
And kill each other one by one
We’ve got to hug and rub-a-dub
We’ve got to dance and be in love